KisahThe Last Jedi semakin seru dengan parade adegan aksi. Rian Johnson memberikan klimaks yang sanggup membuat penonton geregetan. Ini ditambah kehadiran visualisasi indah dengan warna-warna tajam. Sayang, kebimbangan soal pilihan baik dan jahat berpengaruh terhadap ritme cerita. Sejumlah bagian The Last Jedi terlalu panjang dan tidak berkesudahan. KomentarArtikel : *Berpotensi SPOILER!!!! Prolog Star Wars adalah salah satu franchise fiksi tertua di dunia (sudah > 40 tahun), seharusnya franchise ini Komentar Artikel : Resensi Film | ''Star Wars : The Last Jedi'', Kebangkitan ''First Order'' - Kompasiana.com Reydevelops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle with the First Order. Genre: Action, Adventure, Science Fiction. Release: 2017-12-13. TheLast Jedi Ketika Baik - Jahat Tidak Selalu Mutlak Resensi Film BOMBSHELL. Upon re-watching all these films back-to-back you can truly see the mastery of Rian Johnson. THE FINALE Pertarungan Sang Guru di. The Last Jedi berhasil meraup pendapatan sebesar US 450 juta atau setara dengan Rp64 triliun. Needless to say this is something of a huge surprise. Episode VIII - The Last Jedi 2017 - Filming Production - IMDb. 15Reasons why TLJ is the WORST of the SW Films. It was too formulaic — the entire movie felt overly-scripted, as if the director was following some Star Wars recipe card. Step 1: Start with Spaceships chasing each other. Step 2: Show the evil old white guy empire villains about to launch a weapon of mass destruction. Continuingwhere Star Wars: Episode VII - The Force Awakens (2015) left off, Star Wars: Episode VIII - The Last Jedi (2017) sees The Resistance striving to stay ahead of The First Order. Rey seeks guidance from Jedi-in-hiding Luke Skywalker so she can learn the ways of The Force, and defected storm-trooper FN-2187 (Finn) will have his faith in The Resistance tested as his past with The First Order comes to haunt not only him, but also threatens the very foundations of the galaxy's future. Tapikalau dilihat lebih dalam, The Last Jedi mampu meng-establish karakter dengan lebih tajam dan mampu memanfaatkan 2,5 jam untuk menunjukkan storytelling yang sangat bagus, emosi yang terbangun, dan membuat saya sendiri percaya bahwa perdamaian bisa tercipta karena harapan akan selalu ada. Kudos to everyone who makes Star Wars happen. Sebagaifilm paling cerdas dalam waralaba Star Wars, The Last Jedi bisa dipandang sebagai versi opera ruang angkasa dari film western revisionis Clint Eastwood, Unforgiven. Film ini mencemooh StarWars The Last Jedi - Di kalangan pencinta film, Star Wars adalah salah satu film bersekuel yang rasanya wajib ditonton. Sembilan sekuel yang dirilisnya memakan waktu 42 tahun. Episode pamungkasnya hadir di tahun 2019 lalu. Sebelum episode pamungkas, ada Star Wars The Last Jedi yang dirilis di dua tahun sebelumnya, yakni di tahun 2017 lalu. Thislack of leadership and direction created a great deal of confusion, which shows on screen as The Last Jedi is just as muddled, with no one to take hold of the reins. Return of J.J. Abrams TheLast Jedi juga akan menjanjikan kisah yang lebih kelam dibandingkan film-film Star Wars sebelumnya dengan twist yang lebih mengejutkan dengan mengisahkan Skywalker yang berlanjut seiring dengan bergabungnya pahlawan The Force Awakens dengan legenda-legenda galaksi di dalam sebuah petualangan epic dimana nantinya akan menguak misteri lama yaitu The Force serta mengungkap hal-hal yang ada dari masa lalu yang membuat jalur cerita lebih mengejutkan. SinopsisStar Wars the Last Jedi: Dugaan Skenario. Menyoal synopsis ini, sayangnya jika kita melihat plot dari Star War the Force Awakens maka akan terdapat sebuah kesimpulan seperti ini: "Petualangan lebih jauh dari seorang Luke Skywalker (Mark Hamill), Leia (Carrie Fisher) dan Rey (Daisy Ridley)" Tentu saja kesimpulan itu masih terlalu umum. Dalamfilm Lucasfilm Star Wars: The Last Jedi, kisah keluarga Skywalker diteruskan ketika para pahlawan The Force Awakens bergabung dengan para legenda galaksi dalam sebuah petualangan mencengangkan untuk menguak kunci misteri lintas zaman mengenai the Force serta terkuaknya secara mengejutkan berbagai rahasia masa lalu. StarWars: The Last Jedi (2017) iLK21 LayarKaca21PG-13 Genre: Action, Adventure, Fantasy, Science FictionYear: 2017 Duration: 152 Min. 3155 votes, average 7.2 out of 10. Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle Namun kali ini, tidak bisa dipungkiri bahwa Star Wars: The Last Jedi adalah entri yang lumayan mengecewakan di saga Star Wars. Subplot pertama mengenai kisah antara tiga tokoh utama di The Last Jedi yaitu Rey, Kylo, dan Luke mungkin merupakan salah satu (atau satu-satunya?) poin terkuat di sekuel ini. Rian Johnson selaku penulis naskah dan sutradara bisa dibilang berhasil dalam mengembangkan hubungan antara ketiga karakter ini menuju arah yang tidak kita duga sebelumnya. DzgUi1. Star Wars has now occupied a galaxy of its own in the zeitgeist for 40 years and shows no signs of disappearing anytime soon; to the contrary, each new year brings a new Star Wars film of one kind or another, so using the word “last” in connection with anything to do with the series seems a bit disingenuous. Rather, this latest, and longest, franchise entry has the decided feel of a passing-of-the-torch from one set of characters, and actors, to the next. Loaded with action and satisfying in the ways its loyal audience wants it to be, writer-director Rian Johnson’s plunge into George Lucas’ universe is generally pleasing even as it sometimes strains to find useful and/or interesting things for some of its characters to do. Commercially, Disney is counting on another haul soaring past a billion dollars in worldwide theatrical box office alone. As indicated by the dramatic finale of Star Wars The Force Awakens two Christmases ago, the follow-up is anchored by the attempt by Daisy Ridley’s Rey to persuade Mark Hamill’s Luke Skywalker to indoctrinate her in the ways of the Jedi. As a warm-up, however, the first quarter-hour is mostly devoted to the evil First Order’s outer space attack on the Resistance, led by General Hux, who’s goofily played by Domhnall Gleeson as if he were acting in a Monty Pythonesque parody. Still, the resurgent fascists decimate the fleet and put the good guys on their heels. The Bottom Line Far from the last or the least. Release date Dec 15, 2017 Back on terra firma or, to be specific, the thrusting oceanic mountain hideaway so splendidly represented by Skellig Michael, Rey finds Luke in a singularly depressive state, ready to call it a day where Jedi and the force are concerned. For him, it’s all over, and Rey has her work cut out for her getting Luke to change his mind. There are generational differences of opinion on the dark side as well. When Kylo Ren Adam Driver, the turncoat son of Leia and the late Han Solo, shows up in a Darth Vader outfit, Supreme Leader Snoke a deliciously heinous Andy Serkis barks, “Take that ridiculous thing off!” This is the sort of mild all-in-the-family irreverence that the fan culture eats up and Johnson — who here becomes the first person to single-handedly write and direct a Star Wars feature since George Lucas did the honors on the original and two of the “prequels” — injects a good deal of this sort of elbow-jabbing humor into the proceedings. Hardcore series devotees will decide to what extent the new film functions in an equivalent way to how The Empire Strikes Back did in the initial trilogy in 1980. But what it definitely does is stir the pot with ambivalence on both sides of the good-and-evil equation Just as Luke is ready to pack it in as far as perpetuating the Jedi tradition is concerned, so does Kylo Ren begin to question his abandonment of his true legacy; the tables keep turning here, which is desirable from the dramatic point of view of sustaining fan excitement about what’s in store two years from now and beyond. Johnson, whose three indie-slanted prior features — Brick, The Brothers Bloom and Looper — are all crime tales tinged with offbeat humor, is faced with at least two major narrative challenges to advance the renewed face-off between the resurgent First Order and the beleaguered Resistance and to further develop the characters introduced two years ago. As to the first issue, neither here nor in The Force Awakens is it convincingly shown how the demolished Evil Empire was able to bounce back so powerfully just 30 years after its destruction. Even less clear is where Snoke came from, not to mention how he ended up with a face that looks like a twisted and rotted old tree. It feels like not nearly as much time is spent with the bad guys than has been the case in previous Star Wars incarnations no Peter Cushing-back-from-the-dead appearances here. As for the one who counts, Kylo Ren, it remains difficult to accept Driver physically as the son of Ford and Fisher unless there’s a surprise parentage revelation yet to come, which could make for a good joke, although the character’s complexities begin emerging in interesting ways that promise even more surprises in two years’ time, when Abrams’ third chapter to this yarn, the still-untitled Star Wars Episode IX, will land. More crucial is building up audience interest in and sympathy for the new banner carriers for the Resistance, and the results remain mixed. As bold soldier Finn, John Boyega made a big splash two years ago, but his character more or less treads water here; he’s reduced to more generic athletics. An adventure he shares with a new character, maintenance worker Rose Tico Kelly Marie Tran, isn’t one of the most compelling interludes of the film’s 162 minutes. Lupita Nyong’o is in again briefly as the leather-skinned-looking old pirate Maz Kamata. Towering Gwendoline Christie, so wonderful in Game of Thrones, is, ironically, hard to spot. The one character who begins to come into his own here is Oscar Isaac’s fighter pilot Poe Dameron. His status seemed rather generic and uncertain in The Force Awakens, but there’s more confidence here both in the writing and performance of the character as he steps up to fill the void left by Harrison Ford’s Han Solo, without yet having achieved that sort of stature. Perhaps in the next episode. At this stage, Poe has his hands full not only with the First Order’s warriors but with a disconcerting new character who has parachuted into the story. Laura Dern’s Vice Admiral Amilyn Holdo is a lavender-haired, oddly accoutered contemporary of Leia who turns up ostensibly to help the Resistance. But she has an odd way of speaking, doesn’t like “trigger-happy fly-boy” Poe at all and is so negative about every proposal made to thwart the enemy that one might imagine she’s working for the other team. Time will no doubt tell what her game is, but one shares Poe’s apprehensions. Mixed in with these emotions is the poignance attached to Fisher’s death a year ago toward the end of production. Enlivening things in a more positive way is a blaggard named DJ played with great mischief by Benicio del Toro, who sneaks and slithers around and plays all sides like an unusually active lizard. But while the physical action unfolds in the air and on land the climactic battle explicitly recalls the celebrated combat involving the giant AT-AT, or Imperial Walkers, in The Empire Strikes Back, the real drama lies elsewhere, that being in the weird space that prolonged solitude has made of Luke Skywalker’s head and heart. Stating that he considers himself “a legend and a failure,” Yoda’s former devoted student prefers to let his lineage and teachings die out, and an ideological battle ensues, involving both Rey and Kylo Ren, that’s philosophically engaging and narratively elemental. It’s where the film has been headed all along and will assuredly serve as the springboard for what’s to come in two years. Narratively, Johnson has a tendency to create digressions within digressions, not that there’s anything necessarily wrong with that as long as you’re skilled enough to keep multiple balls in the air, which he mostly is. The humor does at times strike notes unusual for the franchise, more often to the good than bad, and John Williams’ vigorous eighth Star Wars franchise score never sounds rote or tiresomely familiar. Maybe the film is a tad too long. Most of the new characters could use more heft, purpose and edge to their personalities, and they have a tendency to turn up hither and yon without much of a clue how they got there; drawing a geographical map of their movements would create an impenetrable network of lines. But there’s a pervasive freshness and enthusiasm to Johnson’s approach that keeps the pic, and with it the franchise, alive, and that is no doubt what matters most. Production company LucasfilmDistributor DisneyCast Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Andy Serkis, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Laura Dern, Benicio Del ToroDirector-screenwriter Rian Johnson, based on characters created by George LucasProducers Kathleen Kennedy, Ram BergmanExecutive producers Abrams, Tom Karnowski, Jason D. McGatlinDirector of photography Steve YedlinProduction designer Rick HeinrichsCostume designer Michael KaplanEditor Bob DucsayMusic John WilliamsCasting Nina Gold, Milivoj Mestrovic, Mary Vernieu Rated PG-13, 162 minutes The Last Jedi is action-packed, thrilling, surprisingly funny, has several unpredictable twists and contains character moments that, in time, will overshadow all that action and adventure. It’s also a cathartic experience for original Star Wars fans like myself. I can’t wait to see it several more times. And I have not said that about a Star Wars movie in a long time… a long time. But, it’s difficult to review The Last Jedi as simply a film because it means so much more to so many. Because as fans we are all veterans of one war. Star Wars. And like the horrors of actual war in the real world, our feelings about it are complicated. Which is why it doesn’t surprise me that each release of a new Star Wars movie leaves audiences and critics so divided. Star Wars Episode VIII The Last Jedi is no different. Factions form into “loved it” or “hated it” or “I can’t believe you loved it, you must be an idiot/SJW/not a true fan/on Disney’s payroll”, etc… When it comes to arguing about Star Wars, fans or, more accurately, “people on the internet” really let the hate flow through them. And this fandom civil war that has broken out over The Last Jedi is particularly brutal. Or perhaps the negative voices are just a bit louder. But opinions in this arena are often irrelevant as the barometer by which modern success at the movies is measured is Republic credits. But let’s cast aside box office for a moment, your reaction to Star Wars is your own and probably very personal. I’m no different. “The release of a Star Wars film is an event. And for hardcore fans, they are akin to new chapters of the Bible being delivered from on high…” It’s also important to recognize that because Star Wars is one of those increasingly rare movie franchises that must have some appeal to everyone, there is a lot of fandom baggage that gets dragged into each new movie. One can hardly evaluate The Last Jedi like any other film. The release of a Star Wars film is an event. And for hardcore fans, they are akin to new chapters of the Bible being delivered from on high. Which gives them greater significance because what happens in this imaginary universe is canon and forever affects characters that have been beloved for decades. Episode VIII is particularly important as it heralds the return of Luke Skywalker. Make fun of him all you want for his initial whininess on Tatooine, Luke’s journey offered the most identifiable and human reaction to the vast strangeness of this new universe. Luke has changed as much as the audience, and in Last Jedi he is a grumpy Jedi, perhaps better known as “Old Man Luke.” In order to really talk about The Last Jedi, discussion of key story points and spoilers is necessary, so here’s your one warning. The story covers familiar territory–the Rebels, I mean, Resistance is on the run from the Empire, I mean, First Order. A new apprentice strong in the Force seeks out a master for her Jedi training and guidance and the secret of her lineage. Space battles, political intrigue, characters in peril, pure evil, lightsaber fights, choosing the path of light or dark, plus something cute thrown in as a distraction. Oh, and hilarity ensues, perhaps more than some would like. But I really enjoyed the humor because it is an important part of the mix of elements that make a Star Wars film work. The Light The things that succeeded, worked incredibly well. Equally, the things that did not hit the mark, failed badly but did not ruin the film overall. The opening battle scene is a whirlwind of starship mayhem — we’ve never seen an X-Wing in a battle quite like that. And it was refreshing to care about a side character with little screen time who makes the ultimate sacrifice. This was not just a collection of cool starship shots jumbled together to form an action sequence, the goal for the battle is made clear with the Resistance attack on a fearsome Dreadnaught ship. While all of this is happening, the human element is never forgotten — there are people aboard those ships and consequences for our characters in the Resistance on the run. Rey’s arrival and subsequent training on Ahch-To has just the right amount of dire seriousness and situational humor. There are even moments here where Last Jedi feels like an art film, in particular, Rey’s encounter in the cave. Old man Luke is like a reinvention of the character as we knew him in the original trilogy. Mark Hamill has outdone himself in his best acting as Luke Skywalker. Luke may be a legend in the Star Wars universe, but his human side really comes out during these scenes. We see the pain and regret in that face as he realizes his family may have, yet again, thrown the galaxy in turmoil. Kylo Ren and Rey’s odd and still unexplained relationship is the most interesting part of Last Jedi. Initially that bond forms over a kind of Jedi Snapchat as the two connect over some Force-driven galactic version of the internet of the mind. At one point, the composition even makes it appear they are chatting over a computer. Women might identify Kylo as some creeper who reaches out over Facebook. Kylo is seen shirtless in one exchange and Rey even asks him to put something on. Those scenes do really feel like some predatory male going after a woman on social media. And even after Kylo and Rey join forces to battle Snoke’s red-armored minons who I’m sure have a name, but whatever Kylo then tries to “neg” Rey by revealing that her parents were “nobodies.” He’s actually negging her! I’m pretty sure that Johnson is commenting on creepy and manipulative men who take advantage of women online, or I could be reading too much into it. I’ll let the internet argue over that one. And then there is Snoke, who somehow drew so much speculation as the new big baddie in the sequel trilogy. After such a big build up, Snoke is cut down like nothing. I honestly believe that Snoke’s origins aren’t all that interesting and his character is just a distraction from the more important issues. But, just for fun, I am going to theorize that the Snoke that was killed in Last Jedi was a clone. That’s right, Clone Snoke! At least that’s the theory I plan to spread on the internet so that it can be debated for the next two years. And if you are reading this JJ, feel free to use that idea. Also, post with the hashtag CloneSnoke. “When you remember what you love most about Star Wars, it’s probably not the action, the most memorable parts are character moments…” When you remember what you love most about Star Wars, it’s probably not the action, the most memorable parts are character moments. And there are so many to discuss, from Leia saving herself with the Force, the Snoke betrayal just as Snoke talking about how he can never be betrayed, the Kylo-Rey teaming up, old man Luke’s daily routine, the Chuck Norris-looking Luke taking on the First Order alone and on and on. Additionally, the dialog seems intended to comment on the film as we are seeing it, as if writer/director Rian Johnson wants to clue the audience in one what he’s really trying to say. Lines such as “Let the past die,” or “This is not going to go the way you think.” But what worked best of all was the tone. This felt like a Star Wars movie in every way and brought me back to my childhood. Tone is really the most important contribution of the director and Rian Johnson nails it in every sense. And especially with regard to the humor. Even the controversial Porgs provide just enough funny and cute moments. Johnson went so far as to acknowledge the inevitable hate for anything cute by including a scene of a freshly cooked “Cornish Porg” about to be eaten by Chewbacca as the eyes of gaggle of Porgs look on heartbroken, it’s brilliantly hilarious. The Dark Okay, not exactly dark, but here’s what didn’t quite work for me, first and foremost, the running time. This film did not need to be 152 minutes and should have been closer to the 120 minute standard established by the earlier films. I hope one day we’ll see a fan cut that is actually closer to two hours. The scenes on Canto Bight seemed like an unnecessary divert for Rose a new character I actually really like and Finn. This “casino planet” was like a scene right out of a low-budget Sy-Fy channel movie shot in Vancouver. It felt too familiar and earthbound to be a scene in an other-worldly scene in a Star Wars movie. The Rose/Finn alien horse race through the casino that ruined the galactic one-percenters good time and did some property damage was just ridiculous and should have been cut. Rose and Finn flopping around on the alien horse just looked like a bad theme park ride. I fully expect this chase sequence to be on Star Tours or at Disney’s Star Wars Land. Finn’s storyline overall is the weakest, though his journey actually takes an interesting turn in the final battle on Crait. Finn finally learns that becoming a hero requires acts of self-sacrifice. And surprisingly, he finally learned to pilot a ship because if I recall in The Force Awakens which took place maybe a few days before Last Jedi, Finn needed a pilot to flee the First Order and escape his life as a Stormtrooper. So that was fast. Benicio Del Toro’s character DJ has the most uninspired “Star Wars” name in the Star Wars galaxy. DJ. And Benicio’s acting choice to add a stammer was just cringe-inducing. I would not miss that character if he were cut entirely. The Resistance rag-tag fleet being chased by the First Order felt a little Battlestar Galactic-ish, which would have been fine had this not been a thread through the entire film. The conflicts on those Resistance ships felt a little forced and seemed to be made to fill up screen time. I also was annoyed at the use of the terms “big a*s” and “Godspeed.” Language is important in a Star Wars film and shouldn’t sound too earthy. It really doesn’t matter if we know what a nerf herder is, because we understand what it means in context. Isn’t “God” in the Star Wars Universe the Force? Or, as Threepio put it, the Maker. “Half the fun of seeing a new Star Wars movie is arguing and debating every single minute detail…” After pointing out all these weaknesses, it might appear that I like The Last Jedi much less. Far from it. Half the fun of seeing a new Star Wars movie is arguing and debating every single minute detail. For me, this kind of nitpicking is actually enjoyable. In our fractured culture, making something intended to appeal to everyone seems difficult enough these days, and I realize that things that didn’t work for me, might have worked for you. The best part is that it gives each of us a little something to nitpick! The Porgs are kind of a mixed bag because as they are used in the film, they kind of work. And we actually see one skewered over a hot fire to the horror of Porg onlookers. Johnson understands that a cute element is necessary in Star Wars, but it works best when the screen time for those cute things is kept at a minimum. The Porgs appear just enough not to be an irritant, like, say, Jar Jar. That floppy-eared and clumsy Gungan had so much screen time in The Phantom Menace that Jar Jar ruined the story by becoming too much of a focus. The Hope This is a more inclusive Star Wars because that’s what our world is. So diversity with Star Wars characters should be expected or better, not even noticed at all, because we live in a diverse culture with all types of people. But frankly, it took long enough because Star Trek has been doing that since 1966. We’ve come a long way since an all white male fighter squadron and characters named “Porkins,” who was probably given that name because of his portly figure. Which is kind of lazy and dumb, but I will still love Porkins. Audiences may not have been expecting a Star Wars movie that also comments on animal cruelty, war profiteering, eating meat, and predatory behavior by men toward women online. George Lucas has been quoted many times that the original Star Wars trilogy was his commentary on the Viet Nam War. The prequel trilogy is about how a democracy can decay and slowly become a dictatorship. So the Star Wars films have had messages all along, you just might not have noticed them. I do find it surprising that The Last Jedi comments directly on selling weapons to both sides of the war. “We’ve come a long way since an all white male fighter squadron and characters named Porkins’…” In spite of the fact that I enjoyed it so much, there’s a lot that what I wish was different. Chatting with friends after an opening night screening, we all thought aloud about things that could improve The Last Jedi. Benicio Del Toro’s character should have been Lando Calrissian. It’s pretty easy to imagine Lando hanging around a casino planet and running hacker scams to make a few bucks. And there’s no mention at all of Lando in this sequel trilogy, so either he’s dead or he’s just not considered a close friend anymore. It should have been Leia that made the ultimate sacrifice on the remaining star cruiser that saved the Resistance by going into hyperspace. It was an admirable end to Laura Dern’s Admiral Holdo character, but it seemed more like something Leia would have done. It was also suggested that Last Jedi could have ended on a cliffhanger with Luke standing to face the First Order alone and then… credits. Sure, we would’ve been upset, but the anticipation for the next film would have been off the charts. It’s also worth noting that this Star Wars film broke the storytelling format set by George Lucas more than any other movie. The Last Jedi has the fewest “wipes” from one scene to the next than any other Star Wars movie. Flashbacks are used to tell the story of Ben Solo’s motivation for his turn to the Dark Side. Flashbacks as a storytelling device have never been used in a Star Wars film unless you count “Force visions.” Even the line, “I’ve got a bad feeling about this,” is nowhere to be found though Rian Johnson says that BB-8 is the one who says it at the beginning, which is kind of a cop out. There is a strange visual joke that references the very first Star Wars parody film, Hardware Wars. It’s nice to see such creative thinking applied to Star Wars, because when you rigidly stick to a format, you get what you expect. Or you retread old territory as was done with The Force Awakens. It’s time for fandom in-fighting to end. “You’re saying the hero who blew up the Death Star would choose to run away to a swamp instead of fight the Empire? And when he finally shows up, he just cries and loses a hand? Irvin Kershner has ruined Star Wars!” – Rotten Tomato user ratings, 1980 I’m sure many remember the above quote when Empire first came out. Okay, truth be told, that’s a fake quote, but it accurately reflected the sentiment among my friends and others when we discussed the first Star Wars sequel at length. Seriously, I remember when The Empire Strikes Back first came out. The audience gasped, booed and was angry that the film ended on a cliffhanger. And back then, Star Wars movies were a long three year wait. There was no internet to complain about it, just perhaps the letters column in magazines like Starlog. Conventions were just starting to crop up but they mostly just sold comics. And there was no fan community to seek out support or to debate how you felt. Episode V initially received mixed reviews, good and bad. It was only years later, after the original trilogy was complete that a revisionist history hailed Empire as the best of the three holy scriptures, I mean, movies. Audiences were mad when Empire debuted because it was so different than Star Wars and completely not what they were expecting… which seems to be very similar to what people are saying about The Last Jedi. To be clear, I’m saying Last Jedi is comparable to Empire only in that both received mixed reaction upon their original release. “…the most I’ve applauded, the loudest I’ve laughed and the hardest I’ve cheered for a Star Wars film since 1983.” I will end by saying this is the most I’ve applauded, the loudest I’ve laughed and the hardest I’ve cheered for a Star Wars film since 1983. I might’ve cried a few times too. Bravo. What Rian Johnson and company have delivered is a film that took risks, it was unexpected and special. After two viewings of The Last Jedi, I’m struck with how profoundly I was affected. I’m high. I’m high and I haven’t been this high since I was 12. High on Star Wars. I honestly haven’t loved, truly loved a Star Wars movie this much since I was a kid. And because the film ended with Luke Skywalker fading away as the sun set, something about this feels final. There’s a sense of closure. Which makes The Last Jedi an incredibly cathartic experience. For me, Star Wars is over. I’m finished and it’s done. Sure, I’ll see each new movie as it comes out, but I am oddly satisfied because this felt like the conclusion of the Star Wars I grew up with and I’m happy about that. At peace actually. It’s time for my fandom to end. Star Wars has finally grown up and maybe we all can too. It’s time for that little boy with the broomstick at the end to pick up a lightsaber. I’m pretty sure he could take on the whole Empire. Star Wars The Last Jedi 2017 Directed by Rian Johnson. Written by Rian Johnson. Starring Daisey Ridley, John Boyega, Adam Driver, Carrie Fisher, Oscar Isaac, Laura Dern, Kelly Marie Tran and Domhnall Gleeson 9 out of 10 Star Wars Os Últimos Jedi Notícias Vídeos Créditos Críticas dos usuários Críticas da imprensa Críticas do AdoroCinema Filmes online Fotos Curiosidades Bilheterias Filmes similares Você assistiu Star Wars Os Últimos Jedi ? 173 Críticas do usuário 5 58 críticas 4 25 críticas 3 35 críticas 2 23 críticas 1 15 críticas 0 17 críticas Organizar por Críticas mais úteis Críticas mais recentes Por usuários que mais publicaram críticas Por usuários com mais seguidores Filtrar por Tudo Fui para me apaixonar pelo filme e sai sem vontade de ver novamente. Nao que o filme seja ruim mas esse novo conceito "Marvel" de cinema nao deveria ter sido usado em SW. Piadas em momentos onde nao se deveria ter, ação frenética e pouca imersão no conceito da historia da franquia. Lutas de sabre de luz parece que se esqueceram como faz. Pelo menos tivemos alguns presentes para os fãs com aparições especiais. É provavel que muitas pessoas amaram o filme mas infelizmente nao consegui ter esse sentimento. Talvez seja o momento das gerações passadas de fãs também acabarem, eterno Mestre Luke! O Início de Star Wars começa tenso e com forte emoção . O 1º ato foi fascinante, fica meio confuso as explicações em relação ao passado, mascom o passar das cenas você vai encaixando as explicações. Além disso percebemosa Rey si desenvolvendo rapidamente, porém ainda é muito confuso em relação a suashabilidades, não posso adiantar nada, entretanto essas dúvidas dela tornam tudo maisinteressante, o mesmo ocorre com o Ben Solo Kylo Ren. Também vemos momentosmais leves e a interação do Chewbacca com os "pássaros" locais que é muitoengraçado enquanto isso em algum canto da galáxia um piloto faz uma piadasarcástica com alguém da 1° ordem que é bem no 1° ato tem uma cena da nossa querida princesa Leia que é simplesmente INCRÍVEL quem forver irá ficar bem surpreso com o que ela fez Já no 2º ato percebemos a evolução dos poderes da Rey a forma que isso foicolocada foi muito bem-feita. A forma que é retratado os dois lados da força é simplese direto e que faz você entender o todo. Enquanto isso em um outro lugar kkkk, vemoso Finn e amigos em busca de alguém para ajuda-los, o lugar que eles vão é bem chiquesó há gente com rendimento alto além disso conhecemos alguns detalhes do passado de uma das pessoas que estão com ele e sua personalidade mais a fundo além de um objeto do incio do filme esta ligado a essa pessoa que esta com o Finn. O final do 2° ato foi sublime, ver o líder Snoke como ele é foi sem palavras, pois ele éum mestre na força, persuasivo, uma ser a si ter medo, Ele demonstrou como elemanipulou a situação inteira de uma forma fantástica nem nos melhores momentos doPalpatine Imperador teria tanto êxito, entretanto o barco vira surpreendentementecheguei até a ficar chocado com o que o kylo fez. Muitos achavam que os últimos Jediseriam algo equivalente ao império contra-ataca ou o retorno de Jedi, eu digo que foiuma síntese dos dois que misturou o desespero e o medo com a esperança, criandoassim algo jamais visto nos episódios anteriores, foi um caldeirão de incertezas e deemoções até o fim lindo que é emocionante eu chorei no final do filmePor fim a uma linda homenagem a Carie Fisher nossa Eterna Princesa Leia que nosdeixará muita falta. Os efeitos especiais estavam incríveis como sempre não tenho oque dizer contra este filme foi simplesmente uma obra cinematográfica perfeita no meuponto de vista. Daisy Ridley é atriz fenomenal e junto com Adam Drive, salva este filme com muito, mas muito mais do mesmo e indicado apenas para quem é fanático na série, ou que gosta muito de comer pipoca no cinema, sem se importar com o que passa na tela, curtindo apenas os efeitos sonoros e visuais. O filme parece um faroeste com o mocinho portando um revólver velho e enfrentando um exército super armado, cujos líderes se emocionam na hora de liquidar e fatura e meia dúzia destrói a maior parte do exército invencível. Uma piada. Ahhh o grande dia finalmente chegou!!! A expectativa tava la nas estrelas!!! Essa semana inteira para onde olhava via uma galáxia muito muito distante!! Ja se passaram 2 anos depois do episódio 7 e voltar para a saga mais amada da cultura pop de todos os tempos foi uma experiencia nova!! Star Wars The Last Jedi, do Diretor Rian Johnson, inicia logo após o Despertar da Força 2015, Abrams, e começa com o encontro de Luke Mark Hamill e a Rey Daisy Ridley na ilha remota aonde nosso mestre Jedi esta recluso e amargurado. A Primeira Ordem esta no encalço dos rebeldes e logo de cara mostra todo seu poderio e impiedade!! Nessa perseguição temos o ousado Poe Damaron, Oscar Isaacs - A Hell of a Pilot - e o Finn John Boyega fazendo de tudo para escapar das mãos do novo império!! Nossa amada Princ….digo General Leia Carrie Fisher, sente cada perda dos rebeldes e busca aliados para manter a esperança da Republica acessa…os rebeldes estão encurralados…o Supremo Líder Snoke Andy Serkis sente que o fim esta próximo e seu discípulo, o maldito Kylo Ren Adam Driver, conduz a perseguição final…Rey precisa convencer Luke a ajuda-los…não esta fácil para nossos heróis….é nesse tom de opressão que o novo filme começa. Incrível como a saga voltou com tanta força após a aquisição da Disney e mais incrível ainda é como ela esta sendo bem tratada. Não são “só” os maravilhosos trailers que instigam, apresentam o novo mas ao mesmo tempo mantem todo o mistério do filme, não são “só” os personagens carismáticos e apaixonantes como a Rey Daisy Ridley, o Finn Jhonn Boyega e o Poe Damaron Oscar Isaacs. Existe todo um cuidado com a nova saga impressionante que nem mesmo George Lucas poderia imaginar que ela alcançaria esse patamar!! Todo esse cuidado com a serie tem um nome. A produtora dos novos é filmes Kathleen Kennedy!!! Ela é o Kevin Feige de Star Wars mas posso afirmar que nem mesmo ele consegue tratar o universo Marvel tão bem como a Kathleen cuida da saga Star Wars!!É um filme corajoso que leva a saga adiante ao mesmo tempo que respeita e honra sua historia passada. A passagem de bastão é feita de maneira imprevisível e canônica com a historia da serie. O foco da história são Kylo Ren, Rey e o Luke!! Alias como o Mark Hamill evoluiu nesses anos todos…é o melhor personagem do filme!! Não curti muito o Snoke e a personagem nova Rose Kelly Marie Tran, ela esta um pouco acima do tom. Uma grata supresa foi a Vice Almirante Holdo Laura Dern, uma atriz a altura do ótimo elenco. Um pouco de justiça para a Capitã Phasma Gwendolne Christie mas ainda assim ela continua sendo o Boba Fett da vez… Por fim ESQUEÇA todas as bobagens de teorias da internet!! NADA de Jedis “cinzas”!!Até a despedida da nossa amada Princesa foi diferente de tudo o que imaginamos. Esse filme avança a historia para a nova geração trazendo algo novo inclusive para os velhos de guerra que acompanham desde o primeiro filme ate aqui. Não é o Império Contra Ataca 1980 mas é tão bom quanto!! Nota DEZ!!!Ps. Assista na maior e melhor tela possível. A fotografia desse filme é espetacular!! Muito bom mesmo, confesso que não imaginava que a Disney ia fazer um trabalho tão bom com essa terceira trilogia. Star Wars Os Últimos Jedi Star Wars The Last Jedi é um dos filmes mais esperados do ano, continuação direta de Star Wars O Despertar da Força, mas com uma diferença, a direção e o roteiro ficaram a cargo de Rian Johnson que divertiu os fãs com muito fanservice porém não conseguiu entregar uma continuação grandiosa para a nova o segundo filme é o destaque em uma trilogia, mas em Star Wars Os Últimos Jedi o diretor e roteirista Rian Johnson não conseguiu manter a grandiosidade do universo que nos foi apresentado em O Despertar da Força, deixando rasos personagens que nos foram apresentados no filme anterior. Os únicos que foram bem desenvolvidos foram Luke Skywalker Mark Hamill e Leia Organa Carrie Fisher, os demais não foram tratados como no filme anterior com profundidade possuindo duas camadas com um background que fez com que os fãs criassem por Rey e Kylo Ren, onde Rey foi diminuída para uma menina que não consegue fazer nada sozinha, diferente da garota destemida que resolvia tudo com as próprias mãos, não esquecendo de que resumiram o passado da personagem com apenas uma fala do vilão. Kylo Ren é um personagem difícil de lidar, e agora com o desfecho que teve em Os Últimos Jedi isso apenas piora, não sabemos se ele é vilão ou um futuro herói, não sabemos se ele é poderoso ou se é apenas um garoto mimado. A falta de carisma de Adam Driver no papel era mascarado por conta da imponência e da caracterização do personagem, e isso foi desconstruído logo no inicio do John Boyega e Poe Dameron Oscar Isaac também foram diminuídos a coadjuvantes que fazem side quests e que no final das contas não servem pra nada, enquanto o "poderoso" Líder Supermo Snoke foi apenas um boneco de CGI muito bem feito por sinal falava apenas usando palavras de efeito. Um vilão digno de Star Wars que foi deixado de lado sem ao menos nos dizer quem era esses pontos negativos ficam na conta de Rian Johnson que nos deu um filme confuso, com muitos furos de roteiro, com uma edição confusa, e momentos que beiram a piadas Marvel Studios, e como fã de Star Wars não era isso que esperava. O que foi mostrado durante a divulgação do filme era algo diferente, mais denso e sério, lembrando que Os Últimos Jedi mostra a Aliança Rebelde sendo dizimada, com o nosso herói Luke Skywalker precisando voltar a utilizar a força para salvar os poucos que o filme não foi apenas isso, e contou também com cenas que emocionaram os que estavam no cinema, e cheio de fan services que agradaram aos que viram a sessão. Isso agrada muito, já que somos fãs de Star Wars e queremos sempre o melhor, realmente esperava muito mais dessa continuação e graças à Força o diretor J. J. Abrams volta para finalizar essa trilogia que tem tudo para trazer novos fãs e agradar aos fãs de longa mais em NãoSeiNada Este filme destruiu a saga. Pra começar, emburreceu os homenssó tomavam decisões erradas, e não faziam nada certo. De longe, foi o filme que mais descaracterizou, desfez tudo o que conhecíamos, sobre Star Wars, e que a própria saga nos tinha ensinado, até então; pior até, que o Star Wars Episódio I, com suas "midichlorians"aff... é sério???!!!. Valeu apenas pela nostalgia das batalhas espaciais, e os personagens icônicos de Leia e Luke, mas tirando isso. A Rey, o Finn, Pou e o vilão Kylo, não me convencem, eu tento, mas não vejo neles capacidade para levarem nas costas uma saga dessa magnitude. O enredo é sofrível. Tem muitas coisas que aconteceram, decisões tomadas pelos personagens que não faziam o menor sentido; Outros personagens, importantes até para entendermos tudo, foram menosprezados Snoke e Luke, dois mestres incompetentes. Luke, instável, emocionalmente perturbado. Snoke, não disse a que veio. As lutas de sabre, sem graça, frustrantes. O segundo filme da nova trilogia de Star Wars faz diferente do que se esperava de um filme do meio. Não chega a ser um "Império Contra-ataca", mas é tão bom quanto no que se propõe a fazer. Star Wars Os Últimos Jedis constrói uma narrativa que brinca com a dualidade luz x trevas o tempo todo 1h40, fazendo com que o espectador duvide de vários diálogos entre o núcleo principal de personagens, nesse sentido, o roteiro de Rian Johnson, que também dirige o longa, faz total sentido. Johnson é cuidadoso em criar o seu storytelling e contar toda uma história antes de entregar o que realmente o grande público e fãs querem ver luta de sabres. Sua direção é cautelosa, tem a leveza das cenas cômicas, mas também entrega com maestria a emoção dos reencontros e plot twists que o filme revela ao longo de seus 152 min. Achei um pouco enfadonho o longo tempo da construção de narrativa, mas é justificável para um o terceiro ato majestoso, que vai além de nossa compreensão e abrange ainda mais esse universo tão rico da franquia. O que Rian Johnson faz no final do filme é algo para se aplaudir de pé na sala do cinema ou onde você for assistir o filme. É emocionante! Grandioso! Traz esperança e nos mostra que Star Wars vai além de uma família, vai além de um capítulo, vai além de um simples filme pipoca. Star Wars Os Últimos Jedis é emocionante porque fala de gerações, gerações que moldaram o seu caráter ouvindo histórias de personagens de uma galáxia muito muito distante. O filme é absolutamente espetacular, daqueles que tem que aplaudir no final, o cara que não tiver capacidade de dar nota máxima em um filme desses não sei em que outro conseguirá dar, não vou nem conseguir dormir essa noite pensando nas cenas. A Disney conseguiu destruir o filme, é uma porcaria sem história, parece uma coucha de retalho, sem fundamento, é o principal, mataram todos os personagens originais do filme, o primeiro filme é fraco, mais este é um lixo, Lucas nós abandonou mesmo...... Muito triste. O filme começa com uma cena filme da segunda guerra Mundial kkkkkkk. Horrível, transformaram Luke Skywalker em contador de piada, e medroso, construíram naves imensa que pra nada serve. Além de lentas que isso gente uma perseguição entre naves que é um tédio. A fuga kkkkkkkk. Pior criaram uma namorada que nem faz parte de nada. Mataram Luke Skywalker sem se quer lutar 🤔, o prejuízo do império de mentira e estrondoso, fora que atravessaram a galatica para nada, só para ganhar mais alguns minutos de filme😂. Cadê Darth Vader, tô com saudades de vc é do imperador patinho. Pra quem assistiu +-10 vezes o 4, +-20 o 5 e 6, até 1, 2, 3, um vez vai ser muito As últimas críticas do AdoroCinema Melhores filmes Melhores filmes de acordo a imprensa Writer/director Rian Johnson’s “Star Wars The Last Jedi” is a sprawling, incident- and character-packed extravaganza that picks up at the end of “Star Wars Episode VII - The Force Awakens” and guides the series into unfamiliar territory. It’s everything a fan could want from a “Star Wars” film and then some. Even the sorts of viewers who spend the entire running time of movies anticipating every plot twist and crowing “called it!” when they get one right are likely to come up short here. But the surprises usually don’t violate the admittedly loose internal logic of the universe George Lucas invented, and when they seem to, it’s because the movie has expanded the mythology in a small but significant way, or imported a sliver of something from another variant of Lucas’ creation Genddy Tartakovsky’s magnificent TV series “Clone Wars” seems to have influenced the last act. The first part of “The Last Jedi” cross-cuts between the remnants of our heroes’ ragtag fleet led by the late Carrie Fisher’s Leia running away from the First Order, aka the next-generation version of the Empire; and Rey Daisy Ridley on the aquatic planet Ahch-To gesundheit! trying to convince the self-exiled Jedi master Luke Skywalker Mark Hamill, whose sandblasted face becomes truly iconic in close-ups to overcome his grief at failing a group of young Jedi trainees and rejoin the Resistance. The New Order's Supreme Leader Snoke Andy Serkis plus CGI has grand plans for both Rey and his Darth Vader-obsessed apprentice Kylo Ren Adam Driver. The leathery old coot may not be a great bad guy—he’s too much of a standard-issue deep-voiced sadist, in a Marvel mode—but he is quite the chess player, and so is Johnson. I’m being vague here on purpose. Suffice to say that, despite being comprised of variations on things we’ve been experiencing directly in “Star Wars” films and indirectly in “Star Wars”-inspired entertainment since 1977, “The Last Jedi” still manages to maneuver in unexpected ways, starting with the decision to build a whole film around a retreat where the goal is not to win but to avoid being wiped out. Along that narrative backbone “The Last Jedi” strings what amount to several tight, often hastily devised mini-missions, each of which either moves the heroes or villains closer to their goals or blows up in their faces. The story resolves in lengthy, consecutive climaxes which, refreshingly, don’t play like a cynical attempt to pad things out. Old business is resolved, new business introduced. And from scene to scene, Johnson gives veteran characters Chewbacca and R2-D2 especially and those who debuted in “The Force Awakens” enough screen time to showcase them at their best while also introducing compelling new faces including a heroic maintenance worker, Kelly Marie Tran’s Rose Tico; a serene and tough vice admiral in the Resistance, played by Laura Dern; a sort of “safecracker” character played by Benicio Del Toro. “Jedi” does a better job than most sequels of giving the audience both what it wants and what it didn’t know it wanted. The movie leans hard into sentiment, most of it planted in the previous installment, some related to the unexpected passing of one of its leads Fisher—thank goodness they gave her a lot of screen time here, and thrilling things to do. But whenever it allows a character to cry or invites us to the catharsis feels earned. It happens rather often—this being a film preoccupied with grieving for the past and transcending it, populated by hounded and broken people who are afraid hope will be snuffed out. Rey’s anguish at not knowing who her parents are and Kylo Ren’s trauma at killing his own father to advance toward his "destiny" literally as well as figuratively mirror each other. Lifting a bit of business glimpsed briefly in “The Empire Strikes Back” and "Return of the Jedi," Johnson lets these all-powerful characters telepathically “speak” to each other across space as easily as you or I might Skype with a friend. This gimmick offers so much potential for drama and wry humor that you might wonder why nobody did it earlier. Sometimes "The Last Jedi" violates our expectations in a cheeky way that stops short of telling super-fans to get over themselves. There’s a touch of “Spaceballs” and “Robot Chicken” to some of the jokes. Snoke orders Kylo to “take off that ridiculous helmet,” Luke chastises an old friend for showing a nostalgic video by muttering “That was a cheap move,” and an early gag finds one of the heroes calling the bridge of a star destroyer and pretending to be stuck on hold. This aspect adds a much-needed dash of self-deprecating humor “The Force Awakens” was often a stitch as well, especially when Han Solo, Chewbacca, BB-8 and John Boyega’s James Garner-like hero/coward Finn were onscreen, but without going so meta that "The Last Jedi" turns into a smart-alecky thesis paper on itself. The movie works equally well as an earnest adventure full of passionate heroes and villains and a meditation on sequels and franchise properties. Like “The Force Awakens,” only more so, this one is preoccupied with questions of legacy, legitimacy and succession, and includes multiple debates over whether one should replicate or reject the stories and symbols of the past. Among its many valuable lessons is that objects have no worth save for the feelings we invest in them, and that no individual is greater than a noble idea. Johnson has made some very good theatrical features, but the storytelling here owes the most to his work on TV’s “Breaking Bad,” a playfully convoluted crime drama that approached each new installment with the street illusionist’s panache the source of delight was always in the hand you weren’t looking at. There are points where the film appears to have miscalculated or made an outright lame choice this becomes worrisome in the middle, when Dern’s Admiral Holdo and Oscar Isaac’s hotshot pilot Poe Dameron are at loggerheads, but then you realize that it was a setup for another payoff that lands harder because you briefly doubted that “The Last Jedi” does, in fact, know what it’s doing. This determination to split the difference between surprise and inevitability is encoded in “The Last Jedi” down to the level of scenes and shots. How many Star Destroyers, TIE fighters, Imperial walkers, lightsabers, escape pods, and discussions of the nature of The Force have we seen by now? Oodles. But Johnson manages to find a way to present the technology, mythology and imagery in a way that makes it feel new, or at least new-ish, starting with a shot of Star Destroyers materializing from hyperspace in the sky over a planet as seen from ground level and continuing through images of Rebel ships being raked apart by Imperial cannon fire like cans on a shooting range and, hilariously, a blurry video conference in which the goggle-eyed warrior-philosopher Maz Kanata voiced by Lupita Nyong'o delivers important information while engaging in a shootout with unseen foes. She calls it a “union matter.” There’s greater attention paid here to color and composition than in any entry since “The Empire Strikes Back.” Particularly dazzling are Snoke’s throne room, with its Dario Argento-red walls and red-armored guards, and the final battle, set on a salt planet whose flat white surfaces get ripped up to reveal shades of crimson. Seen from a distance, the battlefield itself seems to be bleeding. The architecture of the action sequences is something to behold. A self-enclosed setpiece in the opening space battle is more emotionally powerful than any action sequence in any blockbuster this year, save the "No Man's Land" sequence of "Wonder Woman," and it's centered on a character we just met. There are spots where the film can’t figure out how to get the characters to where it needs them to be and just sort of shrugs and says, “And then this happened, now let’s get on with it.” But there are fewer such moments than you might have gone in prepared to forgive—and really, if that sort of thing were a cinematic crime, Howard Hawks would have gotten the chair. Most importantly, the damned thing moves, both in a plot sense and in the sense of a skilled choreographer-dancer who has visualized every millisecond of his routine and practiced it to the point where grace seems to come as easily as breathing. Or skywalking. Matt Zoller Seitz Matt Zoller Seitz is the Editor at Large of TV critic for New York Magazine and and a finalist for the Pulitzer Prize in criticism. Now playing Film Credits Star Wars The Last Jedi 2017 Rated PG-13 for sequences of sci-fi action and violence. 152 minutes Latest blog posts about 4 hours ago about 7 hours ago about 8 hours ago 1 day ago Comments

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